Japan’s strategic hybridism is key: hybridity and distinction – How Japan absorbed Disney(western)influences and made it Japaneseness. E.g. what are the things that Japan/Tezuka learnt from Disney, what did they learnt and kept, what did they choose to change/didin’t learn; why? Japanese/Tezuka Anime goes global – How (or how well) Tezuka targeted on the western […]
Chicago Manual of Style citation format Title page & descriptive title Abstract (a roughly 50-word summary of the entire study on its own page) Introduction with context Methodology (describe how you conducted the research: research method, sampling, variables (included in code sheet), explain and defend your choices. Mention some limitations to your research. Results where […]
Assignment: Film Critique Points: 75 Directions: Your should view the film “Wit” prior to completing the critique. 1. Brief overview of the film “Wit” (1-2 paragraphs) 2. Discuss the relevance of Jon Donn’s poetry (1-2 paragraphs) 3. From a nursing perspective in what ways did you see each of the five patterns of knowing described […]
TITLE: An analysis of how Guillermo del Toro uses social outsiders as political commentators in The Shape of Water and Pan’s Labyrinth LAYOUT: – Introduction – the subject matter – Aim – to identify how Guillermo del Toro uses social outsiders as political commentators in his indie films and why – Introduction to Guillermo del […]
Step 1: Pick a Movie, Analyze the movie “Frozen”. 4-5 pages, double spaced. Guide: Step 2: Summarize what the general “thing” is. What is the situation? What is the overall plot? These steps are not questions to be answered in order, they are guides for what you need to think about and say. So maybe […]
For this paper, you will examine one subject or element and their two representations—this will be the same subject or element in both films— from Spider-Man (Raimi, 2002) and The Amazing Spider-Man (Webb, 2012) and compare and contrast it throughout both films. This paper is a comparison/contrast paper and you must choose either two points […]
Godard’s “Breathless” on the French and American cultures. Focus in answering the question with examples from the film. Reading List: Jean-Luc Godard, Breathless (1960) Naomi Greene, The French New Wave, London-New York: Wallflower, 2007 Birkbeck Library: 791.430944.GRE Michel Marie, The French New Wave: An Artistic School (translated by Richard Neupert), Oxford: Blackwell, 2003 Birkbeck Library: […]
Research Question Australian cinema is caught in a bind of wanting to appeal to national audiences, but also to not exclude international markets. In relation to film Dressmaker (Moorhouse, 2015) and Upgrade (Whannell, 2018), how has the industry in your opinion succeeded – or failed – to cater to these divergent audiences? Links to download […]
2 questions: minimum 2 pages for each question 1st: Compare and contrast how dada and surrealism approached the experience of modernity. Use two films – one from each movement – in your explanation. 2nd: Define “shell shock”. In what way does Anton Kaes see Fritz Lang’s Metropolis engaging with the idea of it?
The main purpose is to advance knowledge in the practice-based, historical, theoretical and/or contemporary fields of: global media studies (culture and identity), global screen industries and audiences and global narratives and storytelling. Rresearch the history and techniques of movie trailers. Some of the topics I have thought about are: • History of movie trailers and […]
